Please note: I have been writing and publishing for a long time; some of these journals have ceased publication or go back a while. Copies of pieces appearing in print journals or out-of-print works available upon request. I write fiction, nonfiction, and poetry (not necessarily in order of importance), so please scroll if you don’t initially see the genre that interests you. You can no doubt tell in which years I was situated to write.

PROSE
Novella:
Seconds (2023, Neutral Zones Press, print)

Short fiction:
Sequestrum: “Flicker” (42:Jan 2025, online)
Ghost Parachute, “End of the Line“(March 2023, online; flash)
OVERHEARD, “She Said, He Said” (2023, online; nominated for Best Small Fictions 2023, suddenly vanished)
Variant Literature, “We don’t know, we think different things” (Fall 2022, online)
The Write Launch, “Path of Service“ (Jan 2022, online)
Sunspot Literary Journal, “South Road” (March 2021 issue, online)
bosque magazine, “Why do you imagine golden birds?” (2015, contest finalist; hiatus)
Confrontation, “Hangfire” (2012, print)
phoebe, “Wetlands” (2010, print; helped me win the 2011-2012 Bennett Fellowship; also selected from finalists for Honorable Mention by Lee K. Abbott, The Journal, Vol 29.2:Autumn/Winter 2005)
South Dakota Review, “Twice Removed” (2010, print)
Cimarron Review, “White Lilac” (Fall 2006, print; reviewed in New Pages)
Cooweescoowee, “Volunteers” (2005, print)
The G.W. Review, “In Garnet Canyon” (Fall 2002, print; basis for Ragdale residency 2000)

Nonfiction:
Memoir: Double Negative (2022, winner of the Split/Lip Press creative nonfiction chapbook prize, print)

Anthology: A Book of Meditations, Volume IV, Readings from Phillips Exeter Academy 2008-2016 (2017)Phillips Exeter Academy), “Border Patrol” (personal essay delivered while writer-in-residence). (2017, print). Available at the Academy bookstore.

Individual pieces:
Clackamas Literary Review, “The Other House” (2023, print)
Passengers Journal, “Thoughts on Crossing to Safety” (2023, print & online; still available online, though ceased)
The Exeter Bulletin, “Heartshot” (Spring 2018, print & online)

POETRY
Collection: The Land of Stone and River, (2022, print; Moon City Poetry Award winner, available from Univ of Arkansas press
& Barnes & Noble)

Chapbook: Wild Thing in Our Known World, Finishing Line Press (2012, print)

Anthology: A Democracy of Poets, The Aspen Poets Society (AGS, 2015), Three poems

Individual poems:
Cutthroat: A Journal of the Arts, “Slurry Line” (forthcoming)
Slippery Elm Journal, “Wulf, min wulf” (2024, print)
Good River Review, Two Poems (5: 2023, online; solicited)
South Dakota Review, Two Poems (Vol 57.1:2022, prin:, LeeAnn Roripaugh, ed)
ABQ inPrint, “Hardening” (2022, print; Hilda Raz, poetry ed)
Prime Number Magazine, “Little Men” (211:Jan-Mar 2022, online; LaWanda Walter, guest ed)
Iron Horse Literary Review, “Desire for Desire,” p. 6 (2022, online; NaPoMo issuu-finalist)
The Fourth River, “Exit the Dream” (April 29, 2022, online)
EcoTheo Collective, “Desert Eclipse” (May 12, 2022, online)
Open Minds Quarterly, “Confessional Poem II” (Summer 2022, print)
The Bookends Review, “Raiment” (9/27/2022, online)
Gyroscope Review, “About Bears” (21-3:Summer 2021, print, e-version)
Bracken, Two Poems VII: 2021, online; Jed Myers, poetry ed)
The Awakenings Review, Five Poems (Fall 2021, print)
The Write Launch, “Reading Octavio Paz” (Feb 2021, online)
Literary Accents, “Elements” (Vol 1.4:2021, print; Katerina Stoykova, ed)
Tar River Poetry, “Remanence” (Fall 2020, print; Luke Whisnant, ed)
bosque magazine, Two Poems (2019, print; Hilda Raz, poetry ed)
Rattle, “The Battle of Brintellix” (56:Summer 2017, print & online)
Spillway, “Headline: Mothers Given Back Babies They Thought Dead” (Summer 2017, print; Susan Terris, ed)
Pinyon, “Stay-at-Home Moms on the Roaring Fork” (Spring 2016, print)
Literary Mama, Two Poems (March 2015, online)
The Writing Disorder, Three Poems (3/20/2015, online)
Gulf Stream Literary Magazine, “Lamictal, Prelude to the First Dose” (15: May 2015, online)
Spillway, “Goats” (Summer 2015, print; Susan Terris, ed)
Tar River Poetry, “Bone Lament” (Fall 2015, print, Luke Whisnant, ed)
Sage Green Journal, Three Poems (2015?, online, date not posted, but it’s up)
Barrow Street, “On the agony of not being a painter, in the trench between autumn and winter” (Winter 2011/12, print)
Poetry East, “Blur” (71,72,&73: Fall 2011, print, Richard Jones, ed)
Comstock Review, “Stallion” (23.1: Spring/Summer 2009, print)
Gargoyle, “On reading the Bible backwards” (55:2009, print)
bosque magazine, from “As the Wind Comes Among Us” (9:Nov 2009, Hilda Raz, poetry ed)
Vermont Literary Review, Three Poems (Summer/Fall 2008, print)
Roanoke Review, “Nature Poem” (Spring 2007, print)
Weber: The Contemporary West, “Global Warming Scenarios” (Spring/Summer 2007, print & online)
Literary Mama, “Never” (June 2007, online)
RHINO, “Navarre” (2007, print)
MARGIE, “Clotted” (5:2006, print)
Rock & Sling, “Pieta” (Fall 2006, print)
Switched-on Gutenberg, “Rough Night,” and “While Butch Robs Trains” (2006, online)
Artful Dodge, “Traces” (Vol 46/47:2005, print)
Flint Hills Review, “Book of the Equinox” (9&10:2004-2005, print)
Penumbra, “Montana Granite” (2002, print)

Date unclear or ceased publication:
Prose
DoveTales, “Hangfire” (2015, print; story reprint, ceased)
Berkshire Review, “Nymphs” (2006, print; story, ceased)

Poems:
Aspen Daily News, Five Poems (2013-2015ish, print)
Garbanzo! “God of our Nights” (2015?, online; ceased, Richard Newman, Ed)
California Quarterly, “Wishing” (2009? print; date tk)
Adirondack Review, “Flushed” (2006? online; archive deleted, but journal is still alive)
Tar Wolf Review, “Excavated” (2008? print; date tk, ceased)
Conte, “Bunk with the Beasts” (2008?, online; ceased)
Paper Street, “Cairn Stone” (2007?, online; ceased)
Facets, Three Poems (2008ish?; ceased)
The Externalist, “Little Bighorn” (2007ish, online, ceased)

RESIDENCIES:
Hypatia-in-the-Woods, 2021
Kimmel Harding Nelson Center for the Arts, 2014
George Bennett Fellowship/Writer-in-Residence, Phillips Exeter Academy, 2011-2012 (but this one was big…)
The Ragdale Foundation, 2000

(As a recently divorced person with pets, I no longer find residencies feasible. Otherwise, I’d be applying right now.)